Resourcefulness

Video of ATN Kavak on the ice.

Filmmaker Contact:

Camera: Brian

Producer's Name: NITV

Country: Canada

Three partners of Igloolik Isuma Productions interview themselves about the meaning of their work together. Shot sometime in the early 1990's, date unknown.

Why We Do This? Zach Kunuk, Qulitalik, Norman Cohn, 42:09, Inuktitut and English. Early 1990s.

Rooted in tradition, adoption is a reality that all Inuit families have experienced. In Inuit culture, adopting a child from a relative, friend or acquaintance is a common practice. Marie-Hélène Cousineau, the adoptive mother of Alexandre Apak, lived in Igloolik, a small island southwest of Baffin Island in the Arctic, for many years.

This second Isuma-Artcirq co-production by Igloolik youth is a story about a young Inuk who lost his love. Using alcohol to put reality and the past behind, the past keeps hunting him. When he loses control and beats up a man on the street he is sentenced to two months in an outpost camp, where a hunter is waiting for him. 

Nunaqpa is the second Isuma recreated fiction, filmed with actors in 1990 recreating a Summer caribou hunt in the 1930's. For Igloolik Inuit, it is the time of Nunaqpa, 'going inland,' the long walk in search of summer-fat caribou to catch enough meat for the hard winter ahead. Two families leave for the hunt, while the old couple and grandmother wait by the shore for their return.

A group of Nunavut elders travel to five museums in North America to see and identify artifacts, tools and clothing collected from their Inuit ancestors.

Inuit Piqutingit (What Belongs to Inuit), Igloolik Isuma Productions, Kivalliq Inuit Association 2009, Producers Bernadette Dean, Katarina Soukup, Zacharias Kunuk. English and Inuktut w/Eng s-t.

Qallunajatut (Urban Inuk) follows the lives of three Inuit in Montreal over the course of one hot and humid summer.Only two generations ago Inuit lived in small, nomadic hunting camps scattered across the vast Arctic landscape.… Read more

Inuit memories and experiences of shamanism, and oral histories about the last shamans practicing in the region of Igloolik, Nunavut. Interviewees range from young people to elders and politicians, but they all share a belief that things happen, and that shamanism is still a living religion.

**CLICK HERE to order DVD on amazon.ca**

Artcirq.

In Qimuksik (Dog Team) one family travels in the immense and beautiful arctic during spring. Inuaraq teaches his young son how to survive in the old way: driving the dogs, building the igloo, catching seals on the open water, running down caribou to feed the family.    

Igloolik, Fall 1945. Grandmother remembers the old way. In autumn 1945, five families build a stone house to prepare for the coming winter.

Nunavut (Our Land) Episode 3: Qarmaq (Stone House), Igloolik Isuma Productions 1995, Filmmakers: Zacharias Kunuk, Norman Cohn, Pauloosie Qulitalik. Inuktut w/Eng s-t.

Igloolik, Fall 1945. Even here, news of the terrible world war raging outside makes people frightened and uneasy. They talk of the danger of the unknown future, of shamanistic intervention to protect their culture.

Igloolik, Fall 1945. Akkitiq wakes up to a nice day for seal hunting. The stone house is warm and comfortable. Men pack up the dog team and look for seals on the fresh ice,while women work at home. Sometimes, the squabbling of children leads to trouble among families.

Igloolik, Spring 1946. It is the season of never-ending days. Two dog teams searching the spring ice, men and boys hunting day and night. Seals are everywhere: at the breathing holes, sleeping under the warm sun. Amachlainuk has a lucky day.

Igloolik, Spring 1946. Seal pups: springtime delicacy, prized for their soft fur and tender meat. When the pups start coming out on the ice, even small children and grandmothers can hunt.

Packed up to travel, the families move slowly over the wet ice, through lakes of fresh melting snow, hunting on the way. Finding the breathing holes is a joyful game for everyone.

Igloolik, Spring 1946. Inuaraq throws his bones at the river and finds the fish swimming back and forth. Back at the tent Qulitalik sends the young men out with fish spears to try their luck. The walk up the rushing river is exciting but treacherous. Fish are hiding. It's easy to fall in.