Cover Version of GREEN HAIR LADY IN THIS VIRUS TOWN A Donald Morin Music Stream

 Cover Version of GREEN HAIR LADY IN THIS VIRUS TOWN
A Donald Morin Music Stream

Lyrics and Music by Donald Morin
© Donald Morin / TILMCOM Music Release 2025

TILMCOM — The Indigenous Literacy Manufacturing Company

TILMCOM presents:

Much glory to God Almighty for allowing me to continue participating in this wonderful event dedicated to helping eliminate poverty and hunger. My songs are for everyone. I humbly ask for your support and vote so I may continue sharing God’s love and light through music.

About the Work

Originally written during the early period of the global pandemic in 2020, Green Hair Lady In This Virus Town emerged from a time marked by uncertainty, isolation, public protest, social fragmentation, and spiritual reflection.

This newly edited 2025 version functions as an evolving hybrid music stream blending:

spoken word,
poetry,
protest language,
cinematic imagery,
social commentary,
dreamlike memory fragments,
and experimental songwriting structures developed through many years of interdisciplinary artistic practice.

The work moves through emotional and symbolic landscapes of:

urban isolation,
pandemic anxiety,
spiritual questioning,
environmental concern,
Indigenous identity,
public unrest,
and the search for compassion and human connection during difficult times.

Recurring images such as:

“a child cries,”
“urban noise in the distance,”
“the world upside down,”
and questions surrounding fairness, fear, and social breakdown

became part of a larger meditation on modern life during the pandemic era.

At the same time, the piece searches for endurance, spiritual grounding, healing, and hope.

Indigenous Water Gathering Excerpt

This version also incorporates excerpts from a powerful public speech delivered during an Indigenous-led water and human rights gathering. The speaker reflects upon:

future generations,
Indigenous sovereignty,
environmental responsibility,
language preservation,
and the protection of water as the essence of life.

During the speech, she also acknowledges her niece Jade and cousin Priscilla while speaking about intergenerational advocacy and Indigenous community responsibility.

Experimental AI / Suno Processing Notice

This stream also incorporates experimental A.I. and Suno-assisted processing as part of an ongoing artistic and technological exploration surrounding sound, memory, media, and contemporary storytelling.

This project is presented as:

an artistic experiment,
a non-commercial creative exploration,
and part of an evolving interdisciplinary body of work connected to Donald Morin’s larger film, music, spoken word, and performance practice....TRANSCRIPT aAUTO GENERATED: here with my niece Jade and my cousin Priscilla. And I'm honored to be here.
0:055 seconds We are the furthest northern Nakoda tribe in this continent. And I'm honored that all of us are standing [music]
0:1111 seconds together as a human family to represent the essence of our lives and our futures, [music] which is water. And
0:1919 seconds together as people, our voices are important [music] to every I in corporate world and in government
0:2727 seconds to one another, but also to teach And I'm honored to be here with my niece Jane. She would be the third generation advocate [music]
0:3535 seconds for the rights of the human family as well as the rights of indigenous people.
0:4040 seconds And I'm here to represent also my late father Shu Thunderhawk who was a NGO at United Nations and standing up against
0:4848 seconds the rights [music] of indigenous people in this land and a contributor also to the United Nations
0:5555 seconds Declaration. So I come to you in [music] peace. I come to you to say that we are here. We will always be here. Our voices
1:031 minute, 3 seconds [music] are run in the ch in our children, in our grandchildren. And I'm most honored that children are here, our
1:101 minute, 10 seconds most precious lives. And I also want to honor the elders and the leaders that are here. There are leaders from the different communities of treaty 6 and
1:181 minute, 18 seconds treaty 8. And I honor you as well. And all the people of the city that have come today. I say thank you. I say thank you because it's very important that we
1:271 minute, 27 seconds care. We care throughout the world about the essence of life which is water.
1:481 minute, 48 seconds And I'm also last generation to be fluent in my language.
1:521 minute, 52 seconds And I thank you [music] in all colors. But then a witch [music] is next to me.
2:012 minutes, 1 second Nothing like [music] the Virgin Mary telling stories of [music] yesterday and tomorrow.
2:102 minutes, 10 seconds A tank top tells [music] me it's all over. Tattoos in the morning. A skateboarder smokes
2:192 minutes, 19 seconds light like the kings who ride [music and singing] Apollo in the morning.
2:312 minutes, 31 seconds The sun's [music and singing] on my back. Silent woman near me.
2:382 minutes, 38 seconds Long [music] pause. Brows are included.
2:472 minutes, 47 seconds A song [music and singing] for the lonely people. Flesh is [music] deceiving.
2:562 minutes, 56 seconds A child cries.
3:003 minutes[music]
3:013 minutes, 1 second A child cries.
3:083 minutes, 8 seconds The wind's [music and singing] on my back. The wind blows and the paper shines in the natural [music] light of this ending bar.
3:213 minutes, 21 seconds Urban noise in the distance [music] and memories all around me. Catwalks
3:283 minutes, 28 secondswhere we walk with men. Indian [music] civilization.
3:383 minutes, 38 seconds Now in [music] a diarama cowboy man, the world's in conflict.
3:473 minutes, 47 seconds So [music] I put on my mask on that day.
3:523 minutes, 52 seconds One year [music] later, I'm still coming down, covered around.
4:004 minutes Questions of fairness, mass breakdowns. [music] The world's going mad.
4:144 minutes, 14 seconds [music]
4:244 minutes, 24 seconds Won't
4:314 minutes, 31 seconds[music]
4:334 minutes, 33 seconds 2 p.m. [singing] in the morning to 2 p.m. [music]
4:404 minutes, 40 seconds in the evening. [singing] [music] Now it's quarter as the silence sits around us on [music] this planet.
4:504 minutes, 50 seconds Two souls in the distance, [singing] one planet in a circle that is broken.
5:005 minutes Move to separate places of time.
5:035 minutes, 3 seconds [singing]
5:055 minutes, 5 seconds The world's upside [music] down. Misconceptions.
5:135 minutes, 13 seconds[music]
5:165 minutes, 16 seconds One in a trillion shifting [music] like grains of sand.
5:255 minutes, 25 seconds Jesus [music] behind me and Satan is dealing the cards.
5:355 minutes, 35 seconds [music]
5:365 minutes, 36 seconds Where am I today?
5:415 minutes, 41 seconds Where are my writings [music] scattered in time?
5:495 minutes, 49 secondsOld words over and over again. Scattered in time. The heart hurls the court
5:565 minutes, 56 seconds [music] for another day. How are you today?
6:026 minutes, 2 seconds [music]
6:226 minutes, 22 seconds [music]
6:266 minutes, 26 seconds green [singing] hair lady now behind me and the other lady [music and singing] now gone.
6:356 minutes, 35 seconds Words on a paper, [music] their souls long gone.
6:476 minutes, 47 seconds And the [music] wind behind [singing] me
6:586 minutes, 58 seconds and the wind behind [singing and music] them.
7:097 minutes, 9 seconds [music]